The kit would be in stereo with the bass drum separate. "At the start everyone was very optimistic and there was a lot of real heartfelt camaraderie," Mair continues. Original title: Another Girl, Another Planet… We all went, 'Oh, no! "When I listened to that number I really heard the nuances and tone of Peter's voice, as well as the lyrical content, and I thought, 'Wow, this is bloody great songwriting,'" Mair now recalls. The Only Ones reformed in 2007 after their biggest hit … Win! "I had so many 87s, I could have miked everything. Well, I enjoyed the first 18 months, but then I wasn't getting paid my 50 percent cut. And musically we also had no connection to what was going on; hippies didn't know if we were punks, and punks didn't know if we were hippies, so we were out on a limb. An ordinary-looking guy proves to be an unusually successful womanizer, and his East Village apartment begins to assume aspects of Grand Central Station. ', "John's a master at that. It just happened to be on that take, and I probably put it on a separate track just in case it ended up being the actual master and this might screw it up. Again, I could always lose it in the mix. The combination of those two produced an absolutely brilliant sound. Sod off, you must be joking!'". View credits, reviews, tracks and shop for the 1978 Vinyl release of Another Girl, Another Planet on Discogs. The Helios was previously owned by Johnnie Burns' old friend, Steve Marriot. A Birmingham native, Burns had landed a job as a tape-op at London's Morgan Studios in 1968, thanks to the efforts of former college classmate Andy Johns, who was then the chief engineer there. 'Oh No' and 'Special View (AKA Telescopic Love)' would make their way onto later albums, but in the meantime Mair first heard 'Planet' when Perrett played it on guitar during pre-Escape rehearsals at Manno's Studios on the King's Road, and he was "just blown away". "We were only at Basing Street for two weeks, working on that first album, and everything was set up for the recording of the other tracks, and so Kellie sat down at his kit and off he went, and within a few seconds we were all looking at each other like, 'Bloody hell!' There was no spark. It didn't jump out of the speakers in the same way. I said, 'But can you even remember every break that you played?' Almost immediately there was a buzz, with the key writers for the NME, Melody Maker and Sounds all giving us amazing write-ups, and when we headlined the Roundhouse in Camden Town, supported by Eddie and the Hotrods, a lot of people definitely got it. After releasing two more studio albums -- 1979's Even Serpents Shine and 1980's Baby's Got a Gun -- the Only Ones disintegrated in a blur of drugs and acrimony. John Burns at the desk in Escape at the time of the 'Planet' session. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Another Girl, Another Planet is an original novel by Len Beech (a pseudonym for Steve Bowkett) and Martin Day featuring the fictional archaeologist Bernice Summerfield. They went, 'Oh, fucking hell, Alan', and I said, 'No, look, this is really important.' Although never a commercial success, the Only One's 'Another Girl, Another Planet' has proved to be massively influential; and nearly 30 years after its original release, it's finally getting the recognition it deserves. Another Girl, Another Planet book. The band completed a comeback UK tour in June 2007, and continued touring throughout 2008 and 2009. Four tracks of drums was plenty in my book, and when it was eight-track we had three tracks of drums. Another girl, another planet . Occasionally, with bad drummers we'd have to put some tape on the bottom skin and on the top skin, or even have to tune the kit for them, and after a couple of hours of doing that and trying to get a good sound it would be a case of, 'I can't hear anything any more. Only Ones - Another Girl Another Planet Text Guitar Tab Learn the song with the online tablature player This work below is 100% credited to James McMartin thanks to "Biatch" for finding it NOTES: Chord definitions are at bottom of page. I told the guys in the band, 'This isn't as good as the demo. Another girl, another planet Another girl, another planet Space travels in my blood And there ain't nothing I can do about it Long journeys wear me out Oh God we won't live without it Oh no Another girl is loving you now Another planet, forever holding you down Another planet "From the start, I really took care of most of the aspects of recording," he says, "whether it was dealing with Peter's vocals, deciding on guitar parts or getting extra musicians to play things. First off, Peter did the proper vocal, because we knew what he'd done was just a guide and, since he hadn't been spot-on the mic all the time, it needed improving. With the royalties I'd earned from Genesis I bought all this equipment second-hand from Steve Marriot and various other places, because I knew exactly what I wanted. It just sounded fantastic. The entire song went beautifully after that, and it crystallised into a much more powerful version than we'd played before.". Sign up for Deezer and listen to Another Girl, Another Planet by The Only Ones and 56 million more tracks. The Only Ones is the debut studio album by English power pop band The Only Ones, released in 1978 by Columbia Records.It was produced by the Only Ones themselves, with the assistance of Robert Ash and was mixed at Basing St., Escape and CBS. Long journeys wear me out. So off they went, back down to Johnnie, and Johnnie was like, 'You're not bloody taking my machine away! Web site designed & maintained by PB Associates & SOS. The Only Ones playing live at the Speakeasy, London, 1977. "I was always doing things like that," says Burns, who subsequently left the business for about 20 years, before returning to the studio with Bristol-based rock outfit JEBO, in 2004. I said, 'You can do that?' Kellie, that was perfect...' and he just went, 'It's okay, I'll do it again.' I don't know where that inspiration came from, because on all of the rehearsal tapes I was playing on the downbeat. I said, 'What, matching the drum breaks, the tempo and all the tiny variations?' That's what saved the track, because if we hadn't added the second kit I don't think it could have been released.". He said, 'Sure'. If we'd have taken the first kit out we'd have lost part of the dynamics. S CBS 6576; Vinyl 7"). "Those first two Only Ones albums are timeless and organic," Alan Mair says "and that's why I think 'Planet' has caught on with young people. And then, when we did the transfer to 24-track, that gave us eight tracks to make some additions. ', but when the guys heard it in the control room they all thought it was great. Another Girl, Another Planet / As My Wife Says, a Single by The Only Ones. Then about three-quarters of the way through, there was a little click of his sticks and he kind of lost his feel. And when I got credited on the second record, that was for doing the same work as I did on 'Planet' and the first album.". The Only Ones, reunited in 2007. As it turned out, 'Another Girl, Another Planet' did the see the light of day very quickly, before fading into the dark, along with the album that bore the group's name. Another girl, another planet Another girl, another planet Space travel's in my blood There ain't nothing I can do about it Long journeys wear me out But I know I can't live without it I think I'm on another world with you With you I think I'm on another world with you Another girl is loving you now Sometimes 24-track was necessary, but you could get by with 16. "It was an old Kent barn, and we had problems with the soundproofing. So Kellie came in and then John came in, and more or less that whole introductory guitar part was done straight off. "The control room was large, roughly 17 by 17 feet, and I was quite happy with 16-track. The point was, I now had a very clear bass drum and a very clear snare drum to do a really good mix. As it turned out, 'Another Girl, Another Planet' did the see the light of day very quickly, before fading into the dark, along with the album that bore the group's name. If he said, 'Can't I have a mic on there?' Listening to it now I can tell why it took people by surprise, it was very different, very innovative. Back then, I never realised the intro, with the bass and that backwards reverb on the drums, would be regarded as such an important part of the song, so for the remastering I raised Peter's initial guitar by about 8dB. In the annals of rock & roll, sitting neatly between all the one-hit wonders and equally long roll call of has-beens, is a select bunch of never-weres; those much-hyped, critically acclaimed acts that, against all odds and for a variety of reasons, only ever achieved cult status in place of the success that initially appeared to be theirs for the taking. Occasionally I've used the live mic on records, but generally I'd get rid of it in the mix because of all the spill from the guitars and so forth. While the likes of Peter Perrett were attracted to the magic orange CBS label whose roster included Bob Dylan, Island's Chris Blackwell flew to Doncaster to beg the band members to sign with him. We would just play until we felt comfortable, and then, without telling the other guys in the band that we were about to record, I would nod at John to kind of say, 'We're going to play for serious now. The Vodafone ad was out there and everyone kept asking him about the Only Ones. We were talking about a recording that had been made about six months earlier. The views expressed are those of the contributors and not necessarily those of the publishers. But I know I can't live without it, oh no . "That was created by the band. Producer: Alan Mair • Engineers: John Burns, Robert Ash. Then, in August 1976, following a spell away from the business, he joined the Only Ones, having been won over partly by the other band members' passion for their own music, and also by their demo recordings of three Perrett-penned tracks, one of which, 'Out There in the Night', was a love song about his cat. Then John added a second guitar, a harmony guitar over the intro, and there's also a Hammond organ part that doesn't always jump out at everyone, played by Peter. It was like we were going to conquer the world.". Another girl, another planet Another girl Space travels in my blood And there ain't nothing I can do about it Long journeys wear me out Oh God, we won't live without it I think I'm on another world with you I'm on another planet with you Another girl is loving you now Another planet is loving you now Another planet Another girl, another planet Another girl, another planet Space travel's in my blood There ain't nothing I can do about it Long journeys wear me out But I know I can't live without it I think I'm on another world with you With you I'm on another planet with you With you Another girl is loving you now Our hearts just sank. With the two kits on separate tracks, the new kit was at the front insofar as the snare and the bass drum, while the crash cymbals and other bits and pieces were at an equal volume, but we certainly didn't pull the other kit back or submerge its ambience, as there was natural overspill from the bass and guitars recorded at Escape. Another girl is loving you now. And that's how rock-solid Mike Kellie is. "Johnnie had been recommended to us as a really good guy, a great guy and very switched-on," Mair explains, "and since we wanted to record outside of London, Escape seemed a logical place to go. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Read reviews from world’s largest community for readers. I'm a great believer in magic happening occasionally. Two Urei 1176 FET compressors; Roland echo delay; Revox A77, useful for tape effects/delays; various other de-essers/compressors. We'd hit that point, and I believe you only achieve that magic once. One end of the room had a very high ceiling, and that was used for the drums, while the rest was about eight foot high. If you're recording, it shouldn't be too damned serious, and the Only Ones were a pleasure to work with. Only Ones - Another Girl Another Planet Chords Learn the song with the online tablature player ... And st C♯m and up straight and t A all and share about E it. "After rehearsing every day for six months, we went out and played our first gig at the Greyhound pub in Fulham, and you could just tell that people thought something special was going to happen. I said, 'Kellie, that's blown me away. When I brought the cassette in and played it, everyone agreed. Thereafter, he'd co-produced three albums with Genesis: Live, Selling England by the Pound and The Lamb Lies Down on Broadway — prior to acquiring Escape in 1975 and, during his two-year tenure, recording Junior Marvin, Motorhead, Eric Clapton/Ginger Baker and the Only Ones. The insurance company learned that I used to leave a key in an envelope at the local pub for engineers to use when I was away, and after three years of paying solicitors and barristers to deal with the case I ended up getting £5000 for £70,000-worth of equipment...". What's more, that kit also had the backwards reverb at the start. "At the end of the day, we probably had three takes to work with, but I remember sitting there, thinking, 'These just don't feel right.' After all, once the CBS deal was signed in December 1977, they would have the money to pay for a bigger, better-equipped 24-track facility that, they assumed, would enable them to make a bigger, better-sounding record. The Only Ones were an English rock band formed in London in 1976, whose original band members are Peter Perrett, Alan Mair, John Perry and Mike Kellie, they first disbanded in 1982. "Most people think we're a brand-new band, and the outpouring of affection really has taken all of us by surprise," says bass player/producer Alan Mair. The Only Ones: left to right, Alan Mair, John Perry, Mike Kellie and Peter Perrett. Helios custom 32-channel console; based on a 24-channel desk linked with an extra eight-channel desk bought from Basing Street Studios when they upgraded their editing suite, with eight groups and 16 monitor channels. I can face your threats, stand up straight and tall and shout about it... Space travel's in my blood, and there ain't nothing I can do about it.". "Another Girl, Another Planet" İngiliz power pop/punk rock grubu The Only Ones'ın kendi adlarını taşıyan albümlerinden bir şarkıdır. Şarkı çıktığı günden beri birçok kez yeniden yorumlanmıştır. The Only Ones reformed in 2007 after their biggest hit "Another Girl, Another Planet" was used in a Vodafone ad campaign in 2006, and picked up as the introduction theme to Irish DJ Dave Fanning's radio show. There ain't nothing I can do about it. You see, nothing's a demo to me. The Only Ones playing live at the Speakeasy, London, 1977. Here's a brief run-down of the equipment at Escape: "I was very hands-on, so Robert Ash and I set up a mix session, the whole band was there, and I said, 'Because of the way it was recorded, I just can't get any separation between the bass drum and snare. "If, for instance, it was a good-sounding kit and a good drummer, which Kellie was, I'd only use four mics; an AKG D12, D20 or D25 on the bass drum, an AKG 224 on the snare, and Neumann U87s on the floor toms and top kit. We haven't captured that magic.' "Bands with drug connections were bad news, and I'm sure that's how CBS saw it. "When you listen to 'Another Planet', you're actually hearing two kits. Although Mair never requested a production credit for the first album and didn't get one, there's a consensus among all involved that he did fulfill that role. New ma… read more It doesn't have gimmicks, it just has a great sound. Moby Grape was a prime example, Big Star was another, and right up there with them were the Only Ones, a band of power-pop new-wavers whose non-hit single 'Another Girl, Another Planet' would influence subsequent generations long after their own demise. Space travel's in my blood. "It felt like an eternity," Mair now remarks, "but when they put the 16-track on, there in all its glory was 'Planet', pounding out of the speakers, and it was like heaven. Bernice rushes in to help an archeologist friend who is being stalked by a mysterious figure. In fact, when I originally mixed it, I started with Pete's guitar quite low, and then it gradually got louder along with the bass, so there was quite an impact when the rest of the band came in, with John playing the solo. It depended on the band; if it was largely acoustic then I might do th, at to attain a less harsh sound. A complete performance with no splices; pure rock & roll, from the first note to the last. aqui esta another girl another plantet como un comentario me pideron que pusiera mas imagenes aqui puse algunas este tema original mente de only ones un cover hecho por blink 182. "Obviously, the heads were aligned differently to those on Johnnie's machine, and no matter how much we fiddled about we couldn't get it to sound right. It was easy, and so you could muck around with effects and have a bit of a laugh. Obviously, I didn't put it through the headphones, because otherwise Mike would have said, 'What the hell's going on? What you've just done is absolutely phenomenal.' Another Girl, Another Planet is a film directed by Michael Almereyda with Isabel Gillies, Elina Löwensohn, Maggie Rush, Barry Del Sherman, Mary Ward .... Year: 1992. Behind him you can see the 16-track Studer A80 used to record the original version. I kind of nodded at Kellie to make sure he wasn't just watching us without intending to come in on drums, thinking that we were running through it without doing a full take. The album was re-released in Europe in 2009 on Sony Music Entertainment, featuring rare bonus content.The reissue was a CD which comprises 13-tracks. Şarkı John Peel'in en iyi 50 şarkı listesinde 18. sıradadır. The song has been covered by many artists but the song reached its peak with this cover by Blink-182. I love Neumanns, so one of those would have been a couple of feet away from the cabinet and then there'd be a Shure or an AKG right against the speaker. ", "It's all about atmosphere," Johnnie Burns asserts. When I think about what Kellie did, it still sends chills up my spine. Unusual and Strange Musical Instruments Compilation - P... Is there an audio interface with (also) usb AUDIO input... Classic Old School Techno Loops (Sample Pack WAV). Another girl, another planet Another girl, another planet Space travels in my blood And there ain't nothing I can do about it Long journeys wear me out Oh God we won't live without it Another girl is loving you now Another planet, forever holding you down Another planet. On 'Another Planet', the bass was recorded with a mic and DI — I probably used an AKG D20 — while for the guitars I used Neumann 87s or U67s. There are actually some demo recordings of 'Planet', done at Man, no's, and when we got to Escape we didn't think, 'Right, let's get the tape ready, let's roll.' Although Burns' philosophy is that every recording's a potential master unless it can be improved upon, at this stage the Only Ones simply thought they'd made a great demo of 'Another Girl, Another Planet' and departed Escape with a cassette copy of this and the two other tracks committed to tape. Generally, I also put a live mic up on a boom, right above everything, but invariably I wouldn't use it. "For us, it was very much a case of the wrong place at the wrong time," Mair says. When the albums were transferred to CD during the 1990s, they were mastered at a really low level, so the whole song is now louder and it just feels right.". Mair continues the story: "He called me and said, 'Alan, all I need to do is a tone tape for you. Not only was there the joint mission on Mars but there was also a thriving joint Soviet-NATO Moon settlement (complete with several cities). I'm on another planet with you, with you . and he said, 'Yeah'. Another Girl Another Planet book. Read 2 reviews from the world's largest community for readers. In a moment of desperation I told the roadies, 'You're gonna have to go back to Escape and pick up the 16-track machine.' Studer B62 two-track mastering machine; Studer C37 two-track recorder (ex-BBC). E. You get under my skin. ", Indeed, one effect that the Only Ones didn't know how to recreate, along with the aforementioned magic, was some juddering feedback on the drums at the start of the track. "It was more or less complete, with maybe one or two lines of lyrics to fill in, and it also didn't have the long intro," Mair recalls. Yet, in the wake of covers by Greg Kihn, the Replacements, the Lightning Seeds, the Mighty Lemon Drops, Blink 182 and Babyshambles, not to mention an 83 ranking in Q magazine's list of the '100 Greatest Guitar Tracks' and being placed at 18 in John Peel's millennium-edition 'All-Time Festive 50', the track has finally earned its creators some much-deserved recognition, courtesy of their recording being used in a 2006 Vodafone commercial. The song has since been covered by several other performers. Thus the seed was planted in his mind that maybe this was also the time to ask Peter, John and Mike about getting back together. In this short independent feature, an ordinary-looking guy proves to be an unusually successful womanizer, and his East Village apartment begins to assume aspects of Grand Central Station. What it did was add atmosphere so that the session would kick off with a feeling of 'Bloody hell, what a sound!' With Barry Del Sherman, Isabel Gillies, Bob Gosse, Elina Löwensohn. "We continued recording 'Planet' and did several different versions, in between working on other songs," Alan Mair says. And although it wasn't necessary with Mike Kellie, sometimes I'd have to dampen the snare with a cigarette packet and a piece of masking tape. That just shocked me. Morgan handled all of Island's recordings, and it was there that Burns had cut his musical teeth assisting on sessions with Humble Pie, Jethro Tull, Blodwyn Pig, Ten Years After, Donovan, King Crimson and Spooky Tooth, whose drummer was one Mike Kellie. So if you could actually take the '80s out of the way, the Only Ones might have survived.". "Another Girl, Another Planet" is the most successful song by the English rock band The Only Ones. In my mind, there was no question: we were in line for a number one record, and had it been playlisted like everything else then I think it would have achieved that. After they'd listened to the cassette, Alan Mair decided they would have to get hold of the 16-track, transfer it to 24-track and then see if they could develop things from there. And so it was that, the following April, sessions commenced at Basing Street with engineer Robert Ash, who'd previously recorded 'Lovers of Today', sitting behind a Helios Type 69 console. They weren't, but Burns knew what he was talking about; not only was the machine expensive, but its head alignment would be thrown out of whack anyway, following a bumpy ride from Kent to London. In this case, however, I came in on the offbeat and I thought, 'Yeah.' I don't do de. What, on the back of your van? At the time, our live following was growing and we never ever sat down and went, 'Oh, God, it's terrible that 'Planet' isn't a hit,' but I think deep down we were all really shocked.". The whole thing was simple; two guitars, bass, drums and vocals. 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